Leslie Cheung

"Cheung Kwok Wing" redirects here. For the entrepreneur, see Paul Cheung Kwok Wing.

In this Hong Kong name, the surname is Cheung. In accordance with Hong Kong custom, the Western-style name is Leslie Cheung and the Chinese-style name is Cheung Kwok-wing.

Leslie Cheung
張國榮
A wax figure of Cheung
Pronunciation	Cheung Kwok-wing
Born	Cheung Fat-chung (1956-09-12)12 September 1956 Kowloon, British Hong Kong
Died	1 April 2003(2003-04-01) (aged 46) Mandarin Oriental, Hong Kong, China
Resting place	Po Fook Hill, Sha Tin, New Territories
Citizenship	Canada China (Hong Kong) British
Alma mater	University of Leeds
Occupations	Singer actor songwriter
Years active	1977–2003
Height	1.74 m (5 ft 8+1⁄2 in)
Partner	Daffy Tong (1990–2003)
Musical career
Also known as	Elder Brother (Chinese: 哥哥)
Genres	Cantopop Mandopop
Instrument	Vocals
Labels	Polydor Capital Cinepoly Rock Universal
Cheung Kwok-wing
Traditional Chinese	張國榮
Simplified Chinese	张国荣
Transcriptions Standard Mandarin Hanyu Pinyin Zhāng Guóróng Yue: Cantonese Jyutping Zoeng1 Gwok3-wing4 IPA [tsœŋ˥ kʷɔk̚˧wɪŋ˩]
Cheung Fat-chung
Traditional Chinese	張發宗
Simplified Chinese	张发宗
Transcriptions Standard Mandarin Hanyu Pinyin Zhāng Fāzōng Yue: Cantonese Jyutping Zoeng1 Faat3-zung1
Signature

Leslie Cheung Kwok-wing (12 September 1956 – 1 April 2003), born Cheung Fat-chung, was a Hong Kong singer and actor. One of the most influential cultural icons in the Chinese world, Cheung was known for his debonair demeanor, flamboyant screen characters, and avant-garde, androgynous stage presence. Throughout his 26-year career, he released over 40 music albums and acted in 56 films.

Born in Kowloon, British Hong Kong, Cheung studied in England since the age of 12 until he returned home in 1976. He garnered attention in 1977 when entering RTV's Asian Singing Contest and achieved popularity in 1984 with a hit single "Monica." Cheung is regarded as one of the founding fathers of Cantopop for defining the music genre in the 1980s. He announced his "retirement" from music in 1989 and emigrated to Canada the following year, but returned to Hong Kong in 1994. His reemergence from the musical retirement in the late 1990s, particularly in his 1996 album Red, was marked by sonic experimentation and daring imagery.

In addition to music, Cheung achieved pan-Asian fame with such films as A Better Tomorrow (1986) and A Chinese Ghost Story (1987). He won the Best Actor at the 1991 Hong Kong Film Awards for his role in Days of Being Wild (1990), and became world-renowned for his performances in Farewell My Concubine (1993) and Happy Together (1997).

On 1 April 2003, Cheung, suffering from clinical depression, committed suicide by jumping off the 24th floor of the Mandarin Oriental hotel, Hong Kong. In 2010, he was voted third of CNN's most iconic musicians of all time, after Michael Jackson and The Beatles.

Early life

Cheung's English name was inspired by the actor Leslie Howard (pictured) in Gone with the Wind.

Cheung was born in Kowloon, British Hong Kong, the youngest of 10 children in a middle-class Hakka family. His father, Cheung Wut-hoi, was a well-known tailor who specialised in suits, whose customers included Western celebrities such as film director Alfred Hitchcock and actors Marlon Brando and Cary Grant. Despite his father's reputation in the fashion industry, Cheung was uninspired by the profession. Cheung told many interviewers that he had an unhappy childhood, feeling emotionally estranged from his father and siblings, and frequently witnessing arguments and fights in the household. He felt "depressed sometimes" and longed for affection from his parents who were absent most of the time in his childhood. His father's abusive treatment of his mother had a lasting effect on Cheung's perspectives on marriage. When Cheung's father married another woman, his emotional life further deteriorated. He was brought up by his grandmother, whom he was very close to. Cheung summed up his upbringing as a "silent resentment" with "nothing worth remembering", except for the death of his grandmother when he was in primary school, which was the "one thing that I do remember about my childhood."

Cheung attended Rosaryhill School for secondary education in Hong Kong and, at age 12, enrolled at an independent boys boarding school Eccles Hall School Quideham near Norwich in England. During his time at Rosaryhill, Cheung did poorly academically, except that he excelled in the English language. He discovered a newfound interest in Western films and immersed himself in music, studying the original soundtrack of Romeo and Juliet. He recalled that there were "racial problems" when he was in England, but he managed to make friends. During weekends, he worked as a bartender and sometimes did amateur singing at his relatives' restaurant in Southend-on-Sea. He came across the film Gone with the Wind and chose Leslie as his English name inspired by the actor Leslie Howard, feeling that "The name can be a man's or woman's, it's very unisex."

Cheung attended the University of Leeds, where he studied textile management. After one year of study, in 1976, he returned to Hong Kong when his father became paralysed on one side of the body after a stroke. As the father wanted all of his children to be at home, Cheung abandoned his study and became a salesman for Levi's for a living. Cheung recalled that during this time, "I had no plans; there I was, feeling like I was hanging in the middle of nowhere."

Career

Beginnings

Upon returning to Hong Kong Cheung went back to high school as a mature student and formed a band, in which he was the lead singer with his classmates. In May 1977, the band members signed up individually for RTV's Asian Singing Contest. Only Cheung remained until the final round of the Hong Kong division, where he finished as the first runner-up with a rendition of "American Pie". He proceeded to the pan-Asian division, finishing fifth. Soon after the competition, RTV offered Cheung a three-year contract as a second-rate actor for RTV. He also signed with Polydor Records with hopes of releasing music albums.

Cheung's career in show business did not take off immediately. His first film role was in Erotic Dream of the Red Chamber (紅樓春上春, 1978), a softcore porn production that features his bare buttocks. His first two albums were solely recorded in English, and his third album, Lover's Arrow (情人箭, 1979) was recorded in Cantonese. The albums failed commercially, and critics lambasted Cheung's voice as "chicken-like". Cheung's first public performance at the 1977 Hong Kong Pop Folk Music Festival was booed off the stage by the audience. He described his early days into show business as "full of uncertainty ... I remember well that my singing career at the early stage was like 'a person running into a rock', full of despair and obstacles." Seeing little potential in Cheung, Polydor allowed him to depart on his own terms.

1982–1989: Cantopop success and film crossover

Cheung signed with Capital Artists, a record label closely associated with the then-dominant television network TVB, in 1982. His first hit single, "The Wind Blows On" (風繼續吹), is a cover version of Momoe Yamaguchi's Japanese single "The Other Side of Goodbye" (さよならの向こう側). The song was successful on charts, revitalising Cheung's image as a Cantopop singer. The titular album was Cheung's first to be certified gold by the International Federation of the Phonographic Industry (IFPI) Hong Kong. His second album with Capital, Craziness (一片痴), is a compilation of songs he recorded for TVB dramas. The album was also a success, receiving a gold certification from the IFPI Hong Kong. He continued his movie crossover with roles mostly in teenage films, and earned his first major recognition for starring in Nomad (1982). While Cheung had already been a well-known actor with likeable personae in TVB productions, his role as a disillusioned teenager in Nomad foresaw his future reputation as an icon of rebel. The role garnered Cheung a nomination for Best Actor at the 1983 Hong Kong Film Awards.

The year 1984 was when Cheung achieved mass stardom. He released the hit single "Monica", a cover of the single by Japanese singer Kōji Kikkawa. The song topped charts in Hong Kong and was one of the 10 gold-certified songs honoured at TVB's 1984 Jade Solid Gold Best Ten Music Awards and the 1984 RTHK Top 10 Gold Songs Awards. The song's upbeat dance production introduced a new musical trend to Cantopop, in addition to the traditional sentimental ballads that had dominated the scene. Cheung's 1984 self-titled album, which included "Monica", was his first to be certified platinum by the IFPI Hong Kong and sold over 200,000 copies. He starred in the TVB drama Once Upon an Ordinary Girl (儂本多情, 1984) and the film Behind the Yellow Line (1984). In the latter, he co-starred with actress Maggie Cheung and singer-actress Anita Mui. Both productions were commercially successful and put Cheung into the limelight as a prominent entertainer. As Cheung's fame expanded, the media began to pit him against fellow singer-actor Alan Tam, as the two were the most successful male Cantopop singers at the moment. The publicised so-called rivalry contributed to Cantopop's booming sales and lasted until the end of the 1980s.

Cheung's next albums with Capital were met with similar success. For Your Heart Only (為你鍾情, 1985) yielded the hit single "Wild Wind" (不羈的風), which was among the 10 gold-certified songs honoured at both TVB's Jade Solid Gold and RTHK Top 10 awards. The album also included songs Cheung recorded for TVB dramas, propelling his image as a romantic male lead. His 1986 single "Who Feels the Same?" (有誰共鳴) won the Gold Song Gold Award, the distinction for the most popular song of the year, at TVB's Jade Solid Gold Awards. With this achievement, Cheung became an arguably undisputed royalty of Cantopop. After the release of "Who Feels the Same?", he left Capital and joined Cinepoly Records, under which his first album was Summer Romance (1987). The album was the best-selling Cantopop release of the year, earning seven times platinum certification from the IFPI Hong Kong and sold over 350,000 copies. Its lead single, "Sleepless Night" (無心睡眠), won the Gold Song Gold Award at the 1987 Jade Solid Gold Awards. The next two albums, Virgin Snow and Hot Summer, both were released in 1988 and sold well, receiving gold and platinum certifications from the IFPI Hong Kong.

A turning point in his burgeoning acting career came when he was cast in John Woo‘s action film A Better Tomorrow (1986), in which he played a youthful and impulsive police officer torn between justice and his criminal brother. The film, along with A Chinese Ghost Story (1987), propelled him to pan-Asian fame, especially in South Korea and Japan. He then starred opposite his real life friend Anita Mui in Rouge (1988), which consolidated the pair's reputation as the top Hong Kong entertainers. Yiu-wai Chu, author of the book Hong Kong Cantopop: A Concise History (2017), noted that Cheung and Mui formed an "unprecedented" chemistry showcasing "mystic power of charisma", not only in films but also on stage performances together.

Cheung embarked on a 23-date tour at the Hong Kong Coliseum in mid-1988, sponsored by Pepsi. The tour was a sold-out and accumulated over 250,000 spectators. He also held several shows catering to the Chinese community in North America, visiting Atlantic City, Calgary, Toronto, and Vancouver. In light of the 1989 Tiananmen Square protests and the upcoming handover of Hong Kong, many Hong Kongers emigrated to Western countries. Following suit, Cheung announced his "retirement" from singing and emigrated to Vancouver, Canada, in 1989. Prior to his retirement, Cheung released three further albums under Cinepoly—Leslie '89, Salute, Final Encounter—all of which received platinum certifications from the IFPI Hong Kong. He won Most Popular Male Artist twice, at the 1988 and 1989 Jade Solid Gold Best Ten Music Awards. His "farewell concert tour", in support of the album Final Encounter, ran for 33 consecutive sold-out shows at the Hong Kong Coliseum. Cheung donated profits of his 1989 album Salute to the Hong Kong Academy for Performing Arts, which was named the Leslie Cheung Memorial Scholarship after his death.

1990–1995: Music hiatus and major film roles

Cheung's role in Days of Being Wild, directed by Wong Kar-wai (pictured), earned him a Hong Kong Film Award for Best Actor.

After giving up singing, Cheung focused on his film career. He won the Best Actor at the 1991 Hong Kong Film Awards for his role in Wong Kar-Wai's Days of Being Wild (1990). He gained international acclaim for his role as a cross-dressing Peking opera actor in Farewell My Concubine (1993), which became the first Chinese film to win the Palme d'Or at Cannes. According to Chen Kaige and Lu Wei, director and scriptwriter of the film, respectively, Cheung lost Best Actor by one vote because a Cannes jury member mistook Cheung for a woman and voted him for Best Actress.

Although Cheung quit his singing career from 1989 to 1995, he composed more than ten songs during that time. In 1993, he won Best Original Movie Song Award from Golden Horse Film Festival for the theme song Red Cheek, White Hair for The Bride with White Hair (as a film score composer). In 1995, he wrote all three theme songs for the film The Phantom Lover (1995). As for songwriting, Cheung won four nominations for Best Original Movie Song Award at the Golden Horse Film Festival and Awards and two nominations for Best Original Film Song at the Hong Kong Film Awards.

1995–2003: Return to music and Passion Tour

Cheung at a 1997 concert

In 1995 Cheung signed a contract with Rock Records. The same year he released his comeback album, Beloved, winning the award of IFPI Best Selling Album. Since his 1996 album Red, Cheung started a full-on collaboration with composer C. Y. Kong and lyricist Lin Xi, embracing a daring, self-reflective, and sexually ambiguous style of expression. Cheung's 1999 song "Left and Right Hand" (左右手) suggests at his sexuality and his 2000 song "I" (我), with two versions of lyrics in Mandarin and Cantonese by Lin Xi, is known as his come-out song. In 2001, Cheung directed the music video for his song "Bewildered" (夢到內河) with the help of William Chang, the production designer of The Days of Being Wild. The video, featuring intimacy between Japanese ballet dancer Nishijima Kazuhiro and Cheung, was banned by Hong Kong's public broadcaster TVB for promoting homosexuality; Cheung refused to edit the scenes out.

Cheung was consecutively nominated for Best Actor at Cannes for Chen Kaige's Temptress Moon (1996) and Wong Kar-wai's Happy Together (1997). In 1998, he was a member of the jury at the 48th Berlin International Film Festival. Cheung's last concert tour, Passion Tour, took place in Hong Kong and overseas from 2000 to 2001. He collaborated with fashion designer Jean Paul Gaultier, who transformed Cheung "From Angel to Devil" in four costumes: the Angel, the Pretty Boy, the Latin Lover, and the Devil – denoting cross-cultural drag and focusing on Cheung's androgyny and bisexuality. The Passion Tour broke attendance records throughout Asia, including a record for the first foreign artist to hold 16 concerts in Japan. Although the concert was acclaimed in Japan, Korea, and Canada, it was panned in Hong Kong mainly for his gender-crossing. Both Cheung and his agent Florence Chen attributed his later depression to the hostile reception from the Hong Kong media about the tour. In 2011, CCTV-15 commented that the Passion Tour represented the highest standard of Chinese concerts in performance, art concept, costume props and audience response, and had never been surpassed.

Philanthropy

Cheung was a supporter of several charities concerning children's welfare. He was a patron of the Children's Cancer Foundation, a charity that cares for young children with cancer and their families. Cheung donated HK$1 million (US$128,000) in 1996 and launched five sets of RED cards to help raise funds for the Children's Cancer Foundation. He was the first Cantopop star to launch a charity fundraising at a concert. In 1996, although he rarely sang in public at that time, he sang three theme songs from his films to raise money for the elderly. For his 1997 concert at the HK Coliseum, Cheung set up a collection booth for the RED Card charity. Donations of HK$100 or above could obtain a set of cards. Cheung said, "I will lead the way, so I donated HK$1,000,000 to Hong Kong children's cancer fund in my own name." The concert raised more than HK$800,000, to which Cheung and his friends added more than HK$100,000, and made up a million Hong Kong dollars to donate to the cancer fund. He was also a patron of the End Child Sexual Abuse Foundation (ECSAF) (護苗基金), founded by veteran actress Josephine Siao (蕭芳芳).

In 1999, at a party to raise relief funds in the aftermath of the Taiwan earthquake, Cheung participated in a fried rice tasting event. He donated HK$250,000 for a bowl of rice; this was matched by fan donations, bringing the total to HK$500,000. In 2000, Sun Entertainment opened the "Star Second-hand Shop", where second-hand goods donated by celebrities were auctioned to raise money for the "Sun Love Fund". Leslie Cheung was known for his very good fashion sense and he was the first to donate three well-loved, carefully selected pieces to the auction. Leslie also donated his beloved badminton racket to IDclub Taiwan, to be auctioned to raise money for the children's cancer fund. In 1999 and 2000, he appeared in TVB charity shows to help raise funds for ECSAF, in which he was appointed a goodwill ambassador in 2002. In 2003, Cheung donated HK$100,000 to the Seedling protection fund, who were holding a large-scale charity night on 12 March. He told his party guests to give him cash instead of presents, then he donated all of the money that he received to the fund.

Personal life

Cheung's wax figure at Madame Tussauds Hong Kong

In 1977, during the filming of the RTV series Love Story, the then 20-year-old Cheung met and fell in love with his 17-year-old co-star, Teresa Mo (毛舜筠), and they began dating after finishing the series. In 1979, Cheung proposed to Mo, but his sudden proposal startled her and she began to distance herself from him. Although Cheung and Mo eventually broke up after the proposal and briefly lost contact, they remained close friends after they had reunited for the 1992 film All's Well, Ends Well.

Cheung later went into a brief relationship with actress Shirley Yim (雪梨), the younger sister of Michelle Yim, but they broke up in 1980, due to their incompatibility for each other's lifestyles. Cheung and Ngai Sze-pui (倪詩蓓), a Hong Kong model and actress whom he met on the set of ATV series Agency 24, were in a relationship for two years from 1981 to 1983. In 1984, at the house of Albert Yeung, Cheung met Cindy Yeung (楊諾詩), the youngest daughter of Albert Yeung who had recently returned from Boston. Yeung was also a fan of Cheung and was seven years younger than him. They went out on several dates until Yeung returned to Boston. They continued their relationship through phone calls and letters, but would part ways in the following year, still remaining good friends. Cheung felt that if he had not been in the showbusiness, he could have already been married with children, like most of his friends.

Cheung and Daffy Tong Hok-tak (唐鶴德), godson of Cheung's mother, knew each other since childhood. During his concert at the Hong Kong Coliseum in 1997, Cheung sang the love song “The Moon Represents My Heart” (月亮代表我的心) and dedicated it to his mother and Tong. This moment is seen as an official recognition of Cheung's relationship with Tong, making him one of the first public figures in the Chinese world to come out.

In an interview in 1992, Cheung stated that "My mind is bisexual. It's easy for me to love a woman. It's also easy for me to love a man, too" and "I believe that a good actor would be androgynous, and ever changing." In 2000, Cheung talked about his love life: "In terms of lovers, I think I can be a better friend than a lover. Because I am a workaholic. To share my romance, that person has to compromise something." In a 2001 interview with Time magazine, Cheung said: "It's more appropriate to say I'm bisexual. I've had girlfriends. When I was 22 or so, I asked my girlfriend Teresa Mo to marry me."

Death and legacy

Floral tributes to Cheung outside the University of Leeds, September 2024

Cheung died by suicide on 1 April 2003 at 6:43 pm (HKT). He leapt from the 24th floor of the Mandarin Oriental hotel, located in the Central district of Hong Kong Island. He left a suicide note saying that he had been suffering from depression.

3rd anniversary of Cheung's death, in Central, Hong Kong, 2006

"Miss You Much Leslie" exhibition at Times Square (Hong Kong), April 2013

Depression! Many thanks to all my friends. Many thanks to Professor Felice Lieh-Mak (麥列菲菲) [Cheung's last psychiatrist]. This year has been so tough. I can't stand it anymore. Many thanks to Tong Tong [nickname for Cheung's boyfriend Daffy Tong]. Many thanks to my family. Many thanks to Sister Fei (沈殿霞). In my life I have done nothing bad. Why does it have to be like this?

— Leslie Cheung's suicide note (translation)

After the jumping, an informant told police, "someone fainted on the roadside", so only ambulances arrived at the scene and did not attract a large number of reporters; thus there were no photos of the scene.

The news of Cheung's death shocked the Chinese community worldwide. The day after Cheung's death, his partner Daffy Tong confirmed that Cheung had been suffering from clinical depression and had been seeing Professor Felice Lieh Mak for treatment for almost a year. He also revealed that Cheung had previously attempted suicide in November 2002.

Despite the epidemic of SARS and the WHO's warning on travelling to Hong Kong, tens of thousands attended Cheung's memorial service on 7 April 2003, including celebrities and fans from mainland China, Taiwan, Korea, Japan, Southeast Asia, the United States, and Canada. Cheung's funeral was held on 8 April 2003. Three of Cheung's friends, director Tsui Hark, lyricist James Wong, and singer Jacky Cheung, delivered eulogies. Tsui Hark, Jacky Cheung, Stanley Kwan, Eddie Lau, Tony Leung Ka-Fai, Lin Xi, Lau Chun-Ho, and Law Kin-Kei served as pallbearers. Cheung was buried in Po Fook Hill, Shatin. His final album, Everything Follows the Wind (一切隨風), was released three months after his death.

Taiwanese writer Li Ao said in a 2003 TV program that Cheung died by suicide due to AIDS, but the accuracy of this statement has been questioned. In a 2012 interview, Cheung's eldest sister, Ophelia, stated Cheung was diagnosed with clinical depression caused by a chemical imbalance in the brain. She mentioned that reporters were frequently found outside her brother's home, hampering his ability to visit his doctor. Thus, he would come over to her house to consult with his doctor. He would ask his sister, "Why am I depressed? I have money and so many people love me." He was reluctant to take medication for his depression.

Many memorial events were held over the years since Cheung's death, including the memorial concerts in 2003, 2008, 2013, and 2023 organized by Cheung's agent Florence Chan. In 2013, Cheung became the first contemporary celebrity to be included in the Cihai. The same year, Cheung's fans set a Guinness World Record in 2013 for the largest origami crane exhibition by creating 1,956,921 origami cranes, a tribute to his birth date. In 2018, 55383 Cheungkwokwing, a main-belt asteroid discovered by Bill Yeung at the Desert Eagle Observatory in 2003, was named in memory of Cheung.

The proliferation of memorial events has attracted scrutiny and doubts over commercialization and opacity of revenues. Cheung's agent Florence Chan faced criticism in 2013 for her much-hyped revelation of an important secret about Cheung at the year's memorial concert, which turned out to be a dream she had about Cheung telling her he could finally rest. Chinese writer Han Songluo commented then: "In the ten years of commemorating Leslie Cheung, what we observe is an exhaustive Leslie Cheung Commemorating Contest, where the focus is not on commemoration but on novelty. It must feature new information, new developments, and new perspectives." In 2023, concerns about overexploitation were raised again when two memorial concerts, organized by Chan and Universal Music, Cheung's agent and label respectively, took place on the same day of April 1 in Hong Kong, featuring separate groups of celebrities covering his songs.

Awards and nominations

RTHK Top 10 Gold Songs Awards (十大中文金曲)

Year	Category	Recipient	Result
1984	Top 10 Gold Songs	"Monica"	Won
1985		"Wild Wind" (不羈的風)	Won
1986		"Past Love" (當年情)	Won
1987		"Sleepless Night" (無心睡眠)	Won
	Best CD	Summer Romance	Won
	Sales Award (Best-Selling Album of the Year)		Won
1988	Top 10 Gold Songs	"Silence is Golden" (沉默是金)	Won
		"Don't Need Too Much" (無需要太多)	Won
	IFPI Award	Leslie Cheung (張國榮)	Won
1999	Top 10 Gold Songs	"Left Right Hand" (左右手)	Won
	Golden Needle Award (金針獎)	Leslie Cheung (張國榮)	Won
2000	Top 10 Gold Songs	"Big Heat" (大熱)	Won
2002	Silver Jubilee Award	Leslie Cheung (張國榮)	Won

Jade Solid Gold Best Ten Music Awards (十大勁歌金曲頒獎典禮)

Year	Category	Recipient	Result
1983	Top 10 Gold Songs	"Wind Blows On" (風繼續吹)	Nominated
1984		"Monica"	Won
1985		"Wild Wind" (不羈的風)	Won
1986		"Past Love" (當年情)	Won
		"Who Resonates With Me" (有誰共鳴)	Won
	Gold Song Gold Award (金曲金獎)		Won
1987	Top 10 Gold Songs	"Sleepless Night" (無心睡眠)	Won
	Gold Song Gold Award (金曲金獎)		Won
1988	Top 10 Gold Songs	"Silence is Golden"(沉默是金)	Won
		"Closer" (贴身)	Won
	Most Popular Male Artist (最受歡迎男歌星)	Leslie Cheung (張國榮)	Won
1989	Top 10 Gold Songs	"Starting from Zero" (由零開始)	Won
	Most Popular Male Artist (最受歡迎男歌星)	Leslie Cheung (張國榮)	Won
1999	Honours Award (榮譽大獎)		Won
2000	Four Channel Award (Best Album of the Year)	Untitled	Won
	Honours Award (榮譽大獎)	Leslie Cheung (張國榮)	Won

Other music awards

Year	Award	Category	Recipient	Result
1988	Ultimate Song Chart Awards	Ultimate Male Artist Gold Award	Leslie Cheung (張國榮)	Won
1989				Won
		IFPI Award	Side Face (側面)	Won
1999		Ultimate Song Award (No. 1 Song of the Year)	"Left Right Hand"(左右手)	Won
	Metro Radio Hit Music Awards	Metro Radio Hit Song of the Year		Won
		Metro Radio Top 10 Hit Songs		Won
2000	CCTV-MTV Music Honours	Asia's Biggest Superstar	Leslie Cheung (張國榮)	Won
2001	Chinese Pop Music Media Awards	Best Male Singer		Won

Hong Kong Film Awards

Year	Category	Film	Result
1983	Best Actor	Nomad (烈火青春)	Nominated
1988		A Better Tomorrow 2 (英雄本色2)	Nominated
	Best Original Film Song	A Chinese Ghost Story (倩女幽魂)	Nominated
1989	Best Actor	Rouge (胭脂扣)	Nominated
1991		Days of Being Wild (阿飛正傳)	Won
1994	Best Original Film Song	The Bride With White Hair (白髮魔女傳)	Nominated
1995	Best Actor	He's a Woman, She's a Man (金枝玉葉)	Nominated
	Best Original Film Song		Won
1996		The Phantom Lover (夜半歌聲)	Nominated
1997	Best Actor	Viva Erotica (色情男女)	Nominated
	Best Original Film Song	Who's the Woman, Who's the Man? (金枝玉葉2)	Nominated
1998	Best Actor	Happy Together (春光乍洩)	Nominated
2003		Inner Senses (異度空間)	Nominated

Golden Horse Awards

Year	Category	Film	Result
1991	Best Leading Actor	Days of Being Wild (阿飛正傳)	Nominated
1993	Best Original Song	The Bride With White Hair (白髮魔女傳)	Won
1994		He's a Woman, She's a Man (金枝玉葉)	Nominated
1995		The Phantom Lover (夜半歌聲)	Nominated
1996	Best Leading Actor	Temptress Moon (風月)	Nominated
	Best Original Song		Nominated
		Who's the Woman, Who's the Man? (金枝玉葉2)	Nominated
1997	Best Leading Actor	Happy Together (春光乍洩)	Nominated
2000		Double Tap (鎗王)	Nominated
2002		Inner Senses (異度空間)	Nominated

Other film awards

Year	Award	Category	Film	Result
1991	Asia Pacific Film Festival	Best Actor	Days of Being Wild (阿飛正傳)	Nominated
1993	Cannes Film Festival	Best Actor	Farewell My Concubine (霸王別姬)	Nominated
1994	Hong Kong Film Critics Society Awards	Best Actor	Ashes of Time (東邪西毒)	Won
	Japan Film Critics Society		Farewell My Concubine	Won
	Venice Film Festival	Best Actor	Ashes of Time	Nominated
1996	Cannes Film Festival	Best Actor	Temptress Moon (風月)	Nominated
1997	Cannes Film Festival	Best Actor	Happy Together (春光乍洩)	Nominated

Ming Pao Power Academy Awards

Year	Category	Recipient	Result
2000	Honorary Award	Leslie Cheung (張國榮)	Won
	Outstanding Male Singer		Won
2002	Best Actor	Inner Senses (異度空間)	Won

Discography

Main article: Leslie Cheung discography

Filmography

Main article: Leslie Cheung filmography

See also

• Cinema of Hong Kong
• Music of Hong Kong

References

Bibliography

• Chan, Jerry (1 July 2000). "Acts Honored at CCTV/MTV Show in China". Billboard. Vol. 112, no. 27. Nielsen Business Media. p. 62. ISSN 0006-2510.
• Chu, Yiu-Wai (2017). Hong Kong Cantopop: A Concise History. Hong Kong University Press. p. 75. ISBN 978-988-8390-58-8.
• Cribb, Tim (October 2003). "Fallen Idol". Out. Vol. 12, no. 4. Here Media. pp. 93–97. ISSN 1062-7928. Archived from the original on 28 March 2022. Retrieved 26 October 2020.
• Langlois, Tony (2017). Non-Western Popular Music. Routledge. ISBN 9781351556149.
• Leung, Helen Hok-Sze (2008). "In Queer Memory: Leslie Cheung (1956-2003)". Undercurrents: Queer Culture and Postcolonial Hong Kong. University of British Columbia Press. pp. 65–130. ISBN 978-0-7748-1469-0.
• Shima, Chitose (1999). "Leslie Cheung Interview". All About Leslie レスリー・チャンのすべて. Tokyo: Saangyo Henshu Center Co., Ltd. pp. 25–40. ISBN 4-916199-10-3.
• Stokes, Lisa Odham; Braaten, Rachel (2020). Historical Dictionary of Hong Kong Cinema. Rowman & Littlefield. ISBN 9781538120620.
• Yau, Hoi-yan (2012). "Cover Versions in Hong Kong and Japan: Reflections on Music Authenticity". Journal of Comparative Asian Development. 11 (2): 320–348. doi:10.1080/15339114.2012.732744. S2CID 155026361.
• Wang, Klavier J. (2020). Hong Kong Popular Culture: Worlding Film, Television, and Pop Music. Springer Nature. ISBN 9789811388170.

Further reading

• Simon Broughton, Mark Ellingham, World Music Volume 2: Latin and North America, Caribbean, India, Asia and Pacific, BBC Radio, 2000, ISBN 1-85828-636-0
• Kei Mori, "夢想之欠片 (Broken pieces of dreams)", Renga Shyobo Shinshya Co Ltd, Tokyo, Japan, 2004, ISBN 4-902603-55-1
• Chitose Shima, "Leslie Cheung Interview", All About Leslie, p25–40, Sangyo Henshu Center Co., Ltd., Tokyo, Japan, 1999, ISBN 4-916199-10-3
• Chitose Shima, Time of Leslie Cheung, Sangyo Henshu Center Co., Ltd., Tokyo, Japan, 2004, ISBN 4-916199-59-6
• Lisa Oldham Stokes (2007). Historical Dictionary of Hong Kong Cinema. Scarecrow Press. pp. 76–79. ISBN 978-0-8108-5520-5.
• City Entertainment Editor Committee, Leslie Cheung's Movie World 2 (1991–1995), City Entertainment, Hong Kong, 2006, ISBN 962-8114-98-0
• De Hui, Leslie Cheung's Movie Life I, II, Shanghai Bookstore Publishing House, Shanghai, 2006, ISBN 7-80678-557-4.
• Yingjin Zhang; Zhiwei Xiao (2002). Encyclopedia of Chinese Film. London & New York: Routledge. p. 118. ISBN 0-203-19555-8.
• Helen Hok-Sze Leung, "In Queer Memory: Leslie Cheung (1956-2003)" In "Undercurrents Queer Culture and Postcolonial Hong Kong", UBC Press, Vancouver, 2008, p. 85 -105, ISBN 978-0-7748-1469-0

External links

• Leslie Cheung at IMDb